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Post-Byzantine music manuscripts as a source for Oriental secular music (15th to...
Part One
II Historical Overview
Contents
Acknowledgements
Preface
Introduction
Part One
I The Sources
II Historical Overview
III Catalogue of Secular Compositions
IV Composers
V The Social Context – The Cultural Environment
Part Two
I Genres of Secular Music
II Echoi and Makams – Rhythmic Cycles and Usûls
III The Use of Byzantine Notation in Secular Melodies
Summary
Bibliography
Glossary
Appendix (Table)
Plates
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Post-Byzantine music manuscripts as a source for Oriental secular music (15th to early 19th century) / by Kyriakos Kalaitzidis. Transl.: Kiriaki Koubaroulis and Dimitri Koubaroulis
Place and Date of Creation
Würzburg
2017
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